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Using Logos, Photos & Content Correctly in Sponsorship

Using Logos, Photos & Content Correctly in Sponsorship

Using Logos, Photos & Content Correctly in Sponsorship

Thiago Calderaro, Founder and CEO of CoachingArea, with curly hair and wearing a black shirt, gazing thoughtfully towards the horizon with a calm ocean in the background. He is the author of this article.

Thiago Calderaro

Close-up of a branded football displaying a prominent logo, illustrating logo usage rights, intellectual property and brand protection in sports sponsorship.

TL;DR — the 15-second answer

A sponsorship agreement should not only define which content may be used, but also:

  • by whom

  • for which purpose

  • on which channels

  • in which territory

  • for how long

  • with which editing rights

  • with or without the right to share it with third parties

Rule: Sponsorship does not automatically give you ownership of a logo, photo or video. You only receive the rights that have actually been granted.

1) Why usage rights matter in sponsorship

Sponsorship depends on visibility. Clubs publish sponsor logos, create videos, produce graphics and share images from tournaments. At the same time, sponsors often use club logos, team photos or event names in their own communications.

Several different rights can apply:

  • copyright in photos, videos, graphics and text

  • trademark and naming rights in logos, names and claims

  • personality and image rights of identifiable people

  • contractually granted usage rights

  • data protection requirements for personal content

A good sponsorship agreement therefore does more than clarify fees and deliverables. It also answers one essential question: Who may use which content, and how?

2) Ownership is not the same as a usage right

One of the most common misconceptions is:

“We paid for the photo, so it belongs to us.”

It is not that simple.

The person who creates a photo, video, design or text may retain their own rights in it. Commissioning the work does not automatically give the client every possible usage right.

You should therefore distinguish between two levels.

Level 1: Who created the content?

For example:

  • a photographer

  • a videographer

  • an agency

  • a club member

  • a volunteer social media manager

  • a sponsor

  • an external designer

Level 2: Who may use the content, and how?

For example:

  • only the club

  • only the sponsor

  • both parties

  • participating agencies

  • media partners

  • tournament organisers

  • affiliated teams

Contrast:

A = “The photographer sent us the images.”
B = “The photographer granted us the agreed usage rights in writing.”

Only option B creates real clarity.

3) What is a usage right?

A usage right allows another person or organisation to use protected content within an agreed scope.

Usage rights can be structured in different ways.

Non-exclusive usage right

The content may be used, but other people or organisations may also receive usage rights.

Example:
The club may publish tournament photos on its website and social media. The photographer may continue using the same images in their portfolio.

Exclusive usage right

Only the agreed party may use the content within the defined scope.

Example:
A sponsor funds an exclusive campaign and receives exclusive usage rights for a specific industry and a defined period.

For most club and tournament partnerships, a non-exclusive usage right is sufficient. Exclusive rights should only be agreed where they are genuinely needed and priced accordingly.

4) The seven questions every rights clause should answer

Wording such as “The sponsor may use the images” is too vague.

A good rights clause answers seven questions.

1. Which content?

Define exactly what the permission covers:

  • club logo

  • sponsor logo

  • tournament logo

  • event name

  • photos

  • videos

  • graphics

  • text

  • claims

  • audio recordings

  • fixtures or statistics

2. Who may use it?

Clarify whether the right applies only to the club or sponsor, or also to:

  • affiliated companies

  • agencies

  • production partners

  • media partners

  • platforms

  • subcontractors

3. For which purpose?

Possible purposes include:

  • communicating the partnership

  • promoting the tournament

  • social media posts

  • press relations

  • internal presentations

  • sales materials

  • recruitment

  • paid advertising

  • sponsorship reports

The more clearly the purpose is defined, the lower the risk of the content being used for something that was never intended.

4. On which channels?

For example:

  • website

  • newsletter

  • social media

  • printed materials

  • posters

  • presentations

  • digital tournament platform

  • press portals

  • paid social advertising

  • video platforms

Permission for an organic Instagram post does not automatically include the right to use the same photo in a paid advertising campaign.

5. For how long?

Define:

  • start of usage

  • end of usage

  • any transition period

  • removal obligations

  • archive use

A practical approach is to include a limited transition period, so existing content does not need to disappear immediately once the agreement ends.

6. In which territory?

For local partnerships, regional or national usage may be sufficient. With digital content, remember that websites and social media channels are often accessible worldwide.

7. May the content be edited?

Clarify which adjustments are permitted:

  • resizing

  • cropping

  • colour changes

  • subtitles

  • translation

  • integration into layouts

  • combination with other logos

  • addition of text or music

Rule: Without a clear editing clause, even a simple crop can lead to disputes.

5) Using logos correctly

Logos are among the most common sponsorship assets. They are also one of the easiest places to make mistakes.

Club and sponsor should clarify:

  • Which logo version may be used?

  • Are there light and dark versions?

  • What minimum size applies?

  • What clear space must be maintained?

  • May the logo be cropped or rotated?

  • May it appear on coloured backgrounds?

  • May it be shown next to other logos?

  • Does every placement require approval?

Always use the official files provided and define a clear contact person for approvals.

Sample wording

“The sponsor grants the club a non-exclusive right, for the duration of the agreement, to use the supplied sponsor logo solely for delivering and communicating the agreed sponsorship services. Usage is limited to the online and offline channels specified in the agreement. Changes to the logo are not permitted, except where technically necessary for resizing.”

For title sponsorship with naming rights, you should also define how the brand name and event name may be combined.

6) Allowing sponsors to use the club logo

The club does not only use the sponsor’s logo. Sponsors often want to communicate the partnership publicly as well.

Common uses include:

  • sponsor website

  • LinkedIn posts

  • press releases

  • sustainability reports

  • recruitment campaigns

  • presentations

  • sales materials

  • exhibition stands

Permission should be limited to communication of the actual partnership.

Sample wording

“The club grants the sponsor a non-exclusive, non-transferable right, for the duration of the agreement, to use the club logo solely for communicating the agreed sponsorship partnership on the sponsor’s own communication channels.”

This prevents the club logo from being used without permission in product advertising, sales campaigns or unrelated promotions.

7) Photos and videos: Check three levels of rights

For photos and videos, a single approval is often not enough. Three separate levels should be considered.

Level 1: Rights of the creator

Has the club obtained the necessary usage rights from the person who created the photo or video?

Level 2: Rights of the people shown

May the identifiable people be shown for the intended purpose?

Level 3: Transfer to the sponsor

May the club pass usage rights to the sponsor or grant the sponsor separate rights?

Contrast:

A = The club may publish a team photo on Instagram.
B = The sponsor may use the same team photo in a paid recruitment campaign.

Option B is an additional and often much broader form of use. It should not automatically be inferred from option A.

8) Extra care with children and young people

Youth and grassroots sport produces a large amount of content featuring minors. This requires particular care.

Before publication, clarify:

  • Who is identifiable in the image?

  • For which purpose was the content created?

  • Which channels are covered by the permission?

  • Is use by sponsors included?

  • Is paid advertising permitted?

  • How long may the content be used?

  • How can consent be withdrawn?

  • Who documents the approvals?

A general photo permission for the club website should not automatically be treated as permission for every commercial sponsor campaign.

Practical rule: The more commercial and wide-reaching the use, the more specific the consent should be.

9) Social media: Organic post or paid advertising?

Different types of usage can quickly become blurred on social media.

A sponsor may want to:

  • share a club post

  • download and re-upload a Reel

  • run the post as an advert

  • edit the video

  • add new subtitles

  • create shorter clips from it

  • distribute the content through an agency

These are not the same type of use.

Organic sharing

The sponsor shares or reposts an existing post using the platform’s own functions.

Separate publication

The sponsor downloads the image or video and uploads it to its own channel.

Paid use

The sponsor uses the content as an advert, sponsored post or performance campaign.

Editing

The sponsor changes the content, adds music, text or logos, or creates new versions.

All four cases should be considered separately and expressly permitted where necessary.

10) Jointly produced content: Who owns the result?

Joint content productions can be highly valuable, but they also create several rights questions.

Example:

The sponsor funds a video. The club provides the team, location and audience. An agency handles filming and editing.

At least four parties are involved:

  • sponsor

  • club

  • people shown in the content

  • production agency

Before filming begins, define:

  • Who commissions the production?

  • Who pays for it?

  • Who receives which usage rights?

  • May the raw footage be used?

  • Who may edit the final content?

  • Who decides when it is published?

  • May the content remain online after the agreement ends?

  • May it be used for paid advertising?

  • May individual scenes be used in other campaigns?

A strong sponsorship package should not simply list “content production” as a benefit. It should also define which usage rights are included.

11) Content approvals: Fast, but not uncontrolled

Approvals protect both sides. However, if the process becomes too complex, it can block delivery.

Define:

  • which content requires approval

  • who is responsible on each side

  • which information must be provided

  • how long the review may take

  • how many correction rounds are included

  • what happens if no response is received

Example of a simple process

  1. Club sends the draft to the named contact

  2. Sponsor checks the logo, brand name and agreed statements

  3. Feedback is provided within three working days

  4. One correction round is included

  5. Publication follows final approval

The sponsor should not automatically gain editorial control over all club content. Its approval should be limited to its own brand, logo and agreed statements.

12) What happens after the agreement ends?

Many agreements regulate usage during the partnership but say nothing about what happens afterwards.

Clarify:

  • When must logos be removed from current pages?

  • May older social media posts remain online?

  • May sponsorship reports be archived?

  • May the sponsor continue listing the partnership as a reference?

  • What happens to banners and printed materials?

  • When does use of the event name end?

  • Must downloaded files be deleted?

  • Is there a transition period?

A useful distinction

Active use:
New posts, adverts or campaigns using the content.

Passive archive use:
Previously published content remains online as part of the club’s or company’s history.

This distinction prevents a situation where everything must either be removed immediately or may continue to be used indefinitely for new campaigns.

13) Sample usage-rights clause for a sponsorship agreement

The following structure can serve as a starting point:

“The parties grant each other, for the duration of this agreement, non-exclusive and non-transferable usage rights in the names, logos and brand assets they provide. Usage is permitted solely for delivering and communicating the agreed sponsorship partnership on the channels specified in the agreement.

Any use in paid advertising, product marketing or for purposes not directly connected to the partnership requires prior written approval. Changes to logos and brand assets are not permitted, except where technically required for resizing.

Once the agreement ends, no new content may be published using the supplied brand assets. Previously published editorial content may remain online for archive purposes, unless the other party requests its removal for a justified reason.”

This wording is deliberately general. It must be adapted to the specific partnership, content and intended usage.

14) The most common mistakes involving logos, photos and content

Mistake 1: “All rights” are transferred without detail

The wording is unclear and often broader than necessary.

Better: Define the content, purpose, channel, duration, territory and editing rights individually.

Mistake 2: The club promises rights it does not own

The club passes photos to a sponsor even though the photographer only permitted publication on the club website.

Better: Check the chain of rights before sharing content.

Mistake 3: Organic and paid use are treated as the same

A social media post is later used as an advert without further approval.

Better: Agree paid use separately.

Mistake 4: Minors are used without sufficiently specific permission

A tournament photo suddenly becomes part of a commercial sponsor campaign.

Better: Document the purpose and recipients of the usage clearly.

Mistake 5: Editing rights are missing

The sponsor re-edits a video, changes colours or adds new claims.

Better: Define exactly which adjustments are allowed.

Mistake 6: Nothing is agreed for the end of the partnership

Neither side knows which content must be removed.

Better: Regulate active use, archive use and any transition period separately.

Mistake 7: Approval processes are too slow

A tournament post is only approved once the tournament has already finished.

Better: Set named contacts and short response deadlines.

15) Checklist before publication

Before every sponsorship campaign, check:

  • Who created the content?

  • Who owns the relevant rights?

  • May the club use the content?

  • May the club grant usage rights to the sponsor?

  • Are identifiable people shown?

  • Are children or young people visible?

  • Does the permission match the specific purpose?

  • Is paid advertising included?

  • May the content be edited?

  • Are channels and duration defined?

  • Are approval processes clear?

  • Is post-agreement usage covered?

  • Are all consents and agreements documented?

16) FAQ

May a club use every sponsor logo it receives?

Not automatically for every purpose. Usage should be limited to the agreed partnership and the approved channels.

May a sponsor display the club logo on its website?

Yes, if the club has granted the relevant permission. Purpose, duration and channels should be defined in the agreement.

May a sponsor use club photos for advertising?

Only if the necessary rights exist for that specific type of use. Permission for the club website does not automatically cover a paid sponsor campaign.

May logos be cropped or recoloured?

Only if the rights holder allows it. Technical resizing is different from changing colours, proportions or design.

May a sponsor repost a club post?

Sharing through the platform’s built-in function may be treated differently from downloading and re-uploading the content. Permission should be defined clearly for regular commercial use.

Who owns jointly produced videos?

That depends on the agreement with the person or agency producing the content. Funding the production does not automatically determine who receives which rights.

Must all content be deleted once the agreement ends?

Not necessarily. You can distinguish between new publications and previously published archive content. This should be regulated in the agreement.

Is verbal permission enough?

A verbal agreement can be difficult to prove and may be too vague. Usage rights, approvals and transfer rights should therefore be documented in writing.

CTA

Logos, photos and videos make sponsorship visible. Clear usage rights make it safe and scalable.

Do not only define which content will be produced. Also record who may use it, where, for how long, in which form and for which purpose.

This protects your club, gives sponsors certainty and creates the foundation for content that is not only visually strong, but professionally managed.

Disclaimer

This article does not constitute legal advice and does not replace an individual legal or data protection review. The required usage rights, consents and contractual clauses depend on the specific content, the people involved and the intended purpose. Have extensive or commercially significant campaigns legally reviewed before publication.

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